Monday, April 24, 2017

A Sunday Conversation With Reece Of Steak




When I was a kid, growing up in a house with Cat Stevens, Neil Diamond, and Simon and Garfunkel, the first time I ever heard Kiss's "Detroit Rock City," it was a moment of musical epiphany. It was just so vicious, aggressive and mean. It changed the way I listened to music. I've had a few minor epiphany's since then, when you come across a band that just brings something new and revolutionary to your ears.

What have been your musical epiphany moments?

As a bit I was very into early stiff like Hendrix, The Who, Floyd etc but a real turning point for me was hearing Kyuss. I came late to the party on that one and found them via Queens of the stone age but that really changed my life and musical direction. To have John Garcia sing on our album Slab City was something else.

Talk to us about the song-writing process for you. What comes first, the idea? A riff? The lyrics? How does it all fall into place?

With us normally we work on the riffs 1st, we take down loads of guitar ideas even recorded on my phone and gradually develop the idea with the band in the rehearsal room. Kip will jump in with vocals when suits and sometimes it flows super easy or he will take the track away and really refine the vocal over time. We have a cool space to work on stuff and get pretty decent demos and it helps a lot.

Who has influenced you the most?

Between the band there have been a lot of influences and from my point of view it changes depending on what I’ve been listening to at the time. I was a huge Pink Floyd fan so I’m open to some more atmospheric stuff but we like to have a song driven hard by the riff also. I guess a great song for us is the perfect balance between to two things.

Where do you look for continuing inspiration? New ideas, new motivation?

I try not to consciously look for inspiration from other bands because I think that happens naturally in your subconscious. We have been likened to various bands from the past but we have never tried to do that on purpose and I think we have a kind of unique sound. Motivation for us comes from playing Live I would say, sometimes you can get in a lull when your not recording or playing shows so it’s always a nice way to get back in your flow by smashing a great gig.

We're all a product of our environment. Tell us about the band's hometown and how that reflects in the music?

Being a London band we are in the heart of the action so the social side of playing live music has been very important to us. Having fun is very high on our list because we ain't doing this for the money! London has such a strong underground music scene and there is a lot of support from promoters, venues and the fans. We like to make an occasion of a London show so we will party to the last man every time.

Where'd the band name come from?

It’s all about meaty riffs, T bone steaks and dirty jokes

You have one chance, what movie are you going to write the soundtrack for?

Mad Max for sure, desert wasteland and survival of the fittest. I think that collaboration would be rad.

Come on, share with us a couple of your great, Spinal Tap, rock and roll moments?

Never! The moment there is one we need a new career choice.

Tell us about playing live and the live experience for you and for your fans?

We give a lot in our live performances, we try to give the people watching as much energy as we can in the hope that they respond the same way. Like a lot of bands we feed from the crowd and it’s a beautiful thing when the crowd feed off us the circle is complete, everyone has lost their inhibitions and and we are all at the point of enjoying the experience.

What makes a great song?

If only it was as easy to formulate, a great song to one person isn’t always a great song to another so it’s a tricky question. For me there needs to be a riff that sticks in the mind, something that people can’t get out of their head, for Steak we try to make sure the riff through and not to many layered guitars playing different things. This then gives room for a killer vocal and if that magic ingredient turns up on the day and the creative stars align then you may be lucky enough to come up with a banger.

Tell us about the first song you ever wrote?

I believe it was called last exit. It actually was pretty good for an 1st attempt and we played it live in our 1st band a few times. We actually found it recently and listened to it again its funny as hell to listen to. Maybe a bit cringe but we all start somewhere.

What piece of your music are particularly proud of?

I love the track Overthrow on the new album ‘No God To Save’. I think it shows what progression we have made as a band in creating something that has all the drive and riffs of a Steak song but has a great balance and flow.

Who today, writes great songs? Who just kicks your ass? Why?

For me the band of the moment are Elder, talented musicians, cool guys and song writing to a new level. They are on their way to being absolutely huge.

Vinyl, CD, or digital? What's your format of choice?

It’s all about vinyl and digital now. I haven’t purchased cd’s in quite a few years and I had a big collection. I think all vinyl sales should have a free download code with them so you get both. At the met I’m buying 2 copies, one digital for the phone and the vinyl for home.

Whiskey or beer?  And defend your choice.

I’m a beer man, nothing like an ice cold one on a hot day and some banging tunes. Plus Whisky gets me too drunk!

What's next for the band?

We are looking forward to touring this album, we have some great options for euro touring and hopefully get to the US for early 2018. We also have a couple of really cool videos to shoot for the new album so we are pretty excited about that as the director is a very talented guy and things always get a bit crazy...

Any final comments or thoughts you'd like to share with our readers, the waveriders?

Big love to all from the Steaks, hope to see some of you on the road and enjoy the new tunes. We will be at the bar after the gig so come party.

Sunday, April 23, 2017

BLACK WIZARD: US Tour With Brant Bjork And Royal Thunder Underway




Canadian heavy metal/stoner rock faction BLACK WIZARD is currently waging their riff war across the US supporting Brant Bjork and Royal Thunder. The tour, which BLACK WIZARD officially kicked off April 9th in Sacramento, California, will run through May 1st in Los Angeles, California and includes performances with Pentagram. See all confirmed dates below.

BLACK WIZARD continues to tour in support of their New Waste full-length, released via Listenable Records last year and currently streaming at THIS LOCATION. Boasting nine tracks of red-eyed, road-raging, retro-riff worship, the record continues to earn approval from media outlets globally. Writes Sonic Abuse of the record, "Taking the best bits from thirty years of heavy-ass metal, there are hints of Priest, Maiden, Sabbath, Purple and more, all wrapped up in BLACK WIZARD's own, patchouli-scented haze. The prog aspects of the album help to make the sound more unique and interesting and the delivery is spot on - gritty and brutal and yet with a deft touch that keeps things interesting throughout." In a 4/5 rating, New Noise Magazine concurs, "BLACK WIZARD may be one of the best retro acts going, and the band are certainly more interested in having fun and doing what comes naturally than recycling old riffs. It doesn't hurt that you don't have to be stoned to enjoy it, too." BeatRoute Magazine charmingly champions BLACK WIZARD for being, "the only band in town that will add inches to your dick." Stereokiller gushes simply, "I hope this band makes albums every year for the next twenty years," while The Sludgelord hails a, "fine retro record, filled with good riffs and 100% commitment." Adds Heavy Blog Is Heavy in a 4/5 score, "From the very beginning, New Waste wraps you in a thick blanket of distorted grooviness, galloping bass lines and guitars that seems to switch from shred to riff and back on the drop of hat."

New Waste is out on Listenable Records. Secure your copy today at THIS LOCATION.

BLACK WIZARD w/ Brant Bjork, Royal Thunder:
4/23/2017 The Middle East - Boston, MA w/ Pentagram
4/25/2017 Masquerade - Atlanta, GA
4/26/2017 Siberia - New Orleans, LA
4/27/2017 Barracuda - Austin, TX
4/28/2017 Gas Monkey - Dallas, TX
4/29/2017 Launchpad - Albuquerque, NM
4/30/2017 Club Red - Mesa, AZ
5/01/2017 Echoplex - Los Angeles, CA

BLACK WIZARD was forged in 2009 by four high school friends. Founding members Adam Grant and Eugene Parkomenko were both working underwhelming construction jobs at the time, passing the days to the sounds of Thin Lizzy, Deep Purple, Witch, and Electric Wizard. Heavily motivated by the thick, weighty sounds of bands like Bison and 3 Inches Of Blood monopolizing the scene at the time, "The Wiz" was born. Having followed a true DIY aesthetic, the band has released two full length LPs along with a 7" single independently and sold over five thousand copies worldwide.




The Kut - Record Store Day Release (Criminal / Cargo)




The Kut EP features 4 tracks from the band's two previous, sold out EPs 'Rock Paper Scissors' and 'Make Up', produced by James LeRock Loughrey.  This releases as a limited edition press of 500 picture disc vinyl, with vinyl art designed by Zoltan Kiss.  This is also the image featured on the front of Maha's amplifier; custom made under endorsement by Marshall Amplification. The record releases as an exclusive Record Store Day Release via Criminal Records and Cargo Records on Saturday 22nd April.  The picture disc will be available across the UK and beyond, in participating Record Stores.  The record will be followed by a digital release on Friday 5th May.

Track Listing
1. I Want You Maniac
2. I Don't Need Therapy
3. Bad Man (EDIT)
4. Mario

The full list of Record Store Day releases is now up on the Record Store Day website at www.recordstoreday.co.uk

THE KUT BIOGRAPHY

The Kut are a grunge-rock trio, inspired by bands including Nirvana, L7, Hole, Deftones, Placebo and Incubus.  Assembled by multi-instrumentalist and vocalist Princess Maha, their 'Rock Paper Scissors' EP was a quick follow up to 2014's 'Make Up' EP, also produced by James LeRock Loughrey (Skindred, White Zombie, Def Leppard).  These two records have since sold out.  The Kut were voted into the winning spots of the MTV Brand New Unsigned Poll for 2014, and have gained a growing list of industry support including BBC Introducing, Scuzz TV, Kerrang!, Kerrang! Radio, Metal Hammer, MTV-U USA, AXS USA, Big Cheese, Amazing Radio and Planet Rock Radio, as well as a large number of credible independent taste-makers.  The band's 'Bad Man' was taken from their since sold out EP.  With gnarly grunge guitars, punk beats and gritty screams, 'Bad Man' was premiered via Kerrang! Magazine, as well as added to the top track's feature for Q Magazine and Classic Rock Magazine.  This year promises to be an exciting one for the band. It started with them appearing in the Kerrang! Breakout Stars of 2017 List, featuring a handful of UK bands who will rock 2017.

The live show is just as energetic, with The Kut voted in as one of the two best acts to play the 'Dog's Bed Stage' after an impromptu set on the 'Dog's Bed Stage' at Download Festival 2015.  2015 also saw the band open the main stages of Glastonbudget and Strummercamp and perform a steady stream of tour dates and festivals. This 2015 tour included 17 UK dates, ending at The Underworld w/ Teenage Bottlerocket.  The band also toured through 2016, including sets at Camden Rocks Festival, Glastonbudget, Rebellion Festival and a summer UK tour.  The 'Hollywood Rock n Roll Tour', hit the UK mainland in 37 dates, including a 30 date stretch across August.  2016 ended with the band's first international tour in Germany and a feature on the BBC Introducing Lancashire NYE show.  2017 already has seen the band announced for Camden Rocks Festival, Nice n Sleazy Festival, Glastonbudget and Rebellion Festival.  At the start of April, the band travelled back to Germany, as well as to Italy, Czech Republic, Belgium and Netherlands for their second international tour.  The six countries tour was well received overseas, and is presently continuing throughout the UK.

Camden Rocks Event @ The Crowndale - 18.3.17

THE KUT - EUROPEAN TOUR DATES - SPRING 2017

* 29.04.2017 - (GB) LONDON Camden Rocks @ Crowndale
* 27.05.2017 - (GB) LEICESTERSHIRE @ Glastonbudget
* 28.05.2017 - (GB) MORCAMBE @ Nice n Sleazy Festival
* 03.06.2017 - (GB) LONDON @ Camden Rocks Festival

ADDITIONAL FORTHCOMING SHOWS

05.08.17 - Rebellion Festival, Blackpool (Main Stage)
07.10.17 - Think Pink Festival w/ Vice Squad
10.11.17 - Hard Rock Hell, North Wales




Saturday, April 22, 2017

Bandcamp Bonanza – Skunked




Good god damn, what a freaking week in camp. Dozens of fantastic finds. We even had a skunk spraying noise from the darkness. Check out a few albums harvested within scamp this week.

The Riven – Blackbird
Super fun rock n roll anthems chocked with grooves galore and vocals that chop like an Iron Chef on a head of cabbage. Head bob enticing licks aplenty showing much promise to an up and coming band rising to the surface in a sea of stoner saturation.

Mountain Thrower – Mountain Thrower
Not only do these guys kick major ass on this older album but they have a new one due up later this year. One to definitely keep your eyes on.
These guys are fantastic. Another instance where a band I love recommends a band they love and you fall hard for it. Very 70's indeed with some modern psych effects and littered with classic southern rock riffs and solos. Like a mish mash of Steve Miller Band and The Allman Brothers. Very excited for their new album dropping this year. Keep your ears tuned. Sure to be big. Thanks to Mark of 'Freedom Hawk' for the recommendation.

Orbital Express – Light Years From Home
This one ticks all the right boxes. Heavy 80’s metal vibes with a hard rock punch, razor sharp guitar riffs, and a modern metallic groove that takes the band one step beyond just throwing it back to the good old days. Bits of NWOBHM, elements of stoner rock, and a whole lot of hell ya going on. Proto-metal is alive and well. This is killer.


Riff Fist – King Tide
Well you guessed it; the riffs punch you in the face, knock you to the ground and pummel you slimy waves of fuzz laden heavy punk. The riffs are phat, the bass is voluptuous and the vocals don’t give two shits about what you think. They are here to make a statement. That statement is rock n mutha fucking roll. Raise your glass and your fist because the night is still young and we’ve got some tires to burn.

Bionic Cavemen – Reactor
These guys just flat out rock. If you were lucky enough to be in on the secret with the release of their first album Predator released back in 2013 then you know what I’m talking about.
Riffs of mammoth proportions served up raw with primitive blues that grind scars of distorted fuzz against callused vocal chords to reveal one fine piece of vintage rock ass!

Skunk – DOUBLEBLIND
We all knew it was inevitable. If you hang outside long enough you will eventually become victim to the rancid spray of a skunk. Today (4/20) my friends SKUNK based in Oakland, CA released their debut full length album and the rest is history. No need for tomato juice, you’ll actually be rallying for an encore of steamy scent.
Skunked out Sabbath riffage fumigates with a putridly punk rock vocal assault. The Zeppelinesque bluesy swagger hooks you with its deep piercing groove and the solos gas the airwaves with a venom of lethal fuzz

What a week and that just scratches the surface of the excitement of a typical day in bandcamp. Happy 4/20 for those who are reading this a couple days ago. Not only did we not get skunked we just simply ran out of time trying to figure out which one was our favorite. Too many to count.

-The Huntsman

Friday, April 21, 2017

PALLBEARER RELEASE ‘HEARTLESS’ LP TODAY, ON TOUR NOW




“…a doom/rock amalgam that will stand up to the test of time when this band takes over the planet.”  - Decibel

"one of the greatest metal acts this decade and maybe of all time" - Pop Matters

"...their most accomplished work, their most interesting work, and their most complicated work; it’s also their most intricate, innovative, and impressive in terms of both the writing and performances on display; and somehow, it’s also the flat-out best-sounding and most fun to listen to." - Stereogum

"The band moves out of the shadows of mythology and toward an earth riddled with new problems, broken defenses and evaporating futures. The music follows, with hooks that seem sharper and choruses that demand more attention." - Rolling Stone



Today, progressive doom giants Pallbearer have released their third album: a 7-song collection of monumental rock music titled Heartless, available from Profound Lore in North America (in Europe from Nuclear Blast Entertainment).  Pallbearer recorded Heartless on analog tape at Fellowship Hall Sound in their hometown of Little Rock, AR, and mixed it with Joe Barresi (Queens of the Stone Age, Tool, Melvins, Soundgarden) in summer of 2016.  The end result is an album grander in scope than anything they’ve released prior, showcasing a natural progression that melds higher technicality and more ambitious structures with Pallbearer’s most immediate hooks to date. 

On Heartless, Pallbearer offer a complex sonic architecture that weaves together the spacious exploratory elements of classic prog, the raw anthemics of 90’s alt-rock, and stretches of black-lit proto-metal. Lyrics about mortality, life, and love are set to sharp melodies and pristine three-part harmonies. Vocalist and guitarist Brett Campbell has always been a strong, assured singer, and on Heartless, his work is especially stunning. Written by Campbell and bassist/secondary vocalist Joseph D Rowland, the words have moved from the metaphysical to something more grounded. As the group explains: “Instead of staring into to the void—both above and within—Heartless concentrates its power on a grim reality. Our lives, our homes and our world are all plumbing the depths of utter darkness, as we seek to find any shred of hope we can."

By fusing their widest musical palette to date, Pallbearer make the kind of heavy rock that will appeal to diehards, but could also find the group crossing over into newer territories and fanbases. After having helped revitalize doom metal, it almost feels like they’ve gone and set their sights on rock and roll itself. Which doesn’t seem at all impossible on the back of a record like Heartless.

See Pallbearer on tour in support of Heartless now:

PALLBEARER, ON TOUR:
March 25  Brooklyn, NY @ Music Hall of Williamsburg *
March 28  Cleveland, OH @ Grog Shop *
March 29  Grand Rapids, MI @ Pyramid Scheme *
March 30  Indianapolis, IN @ 5th Quarter *
March 31  Chicago, IL @ Thalia Hall *
June 2  Philadelphia, PA @ Union Transfer ^

* w/ Marissa Nadler, Kayo Dot
^ w/ Baroness, Nothing

Pallbearer is:
Brett Campbell - guitar, vocals
Devin Holt - guitar, vocals
Mark Lierly - drums
Joseph D. Rowland - bass, vocals

Heartless, track listing:
1.  I Saw the End
2.  Thorns
3.  Lie of Survival
4.  Dancing in Madness
5.  Cruel Road
6.  Heartless
7.  A Plea for Understanding

* top photo by Diana Lee Zadlo

HEAVY PSYCH SOUNDS Records is proud to announce Giöbia to repress "MAGNIFIER" on HPS Records!




HEAVY PSYCH SOUNDS Records&Booking
is proud to announce a wonderful thing!!

*** Giöbia ***


to repress "MAGNIFIER" on HPS Records!
Release Date May 5th

Released in:
Limted Coloured Gray Vinyl
Black Vinyl
Cd
Image result for giobia magnifier
Second repress on Heavy Psych Sounds for this incredible Space Rock-Heavy Psych gem,
New mastering, new graphics, and a new song added to the tracklist: the heavy psych/freakbeat masterpiece from the londoner band The Open Mind called "Magic Potion"
'Magnifier' as an album really does have it all...some ace psychedelic stylings, some heavy spacerock, some lysergic sixties grooves and some more delicate shimmery shoegazing. It has a heaviness that will appeal to some, and the delicate touch that will appeal to others. Another undisputed success for Giöbia.
New incredible artwork by Laura Giardino

Thursday, April 20, 2017

The Hazytones - Canadian Tour 2017



The Hazytones are a stoner rock group founded in 2015 in Montreal. The trio stuns the audience with their stage presence and intensity. Riff after riff, the group is known for their fat sound and heavy, overdriven saturation.

The band features the powerful voice and guitar playing of Mick Martel (former founding member of Madcooks),  the accuracy of drummer Antoine St-Germain (current member of God Bless America) and the rigor of the bassist Frederic Couture (former founding member of Reckless Ride).

The Hazytones : Canadian Tour 2017
------------
APRIL
20: Toronto @ Canadian Music Week
21: Toronto @ Canadian Music Week 2017
22: Toronto @ Canadian Music Week
23: Sault Ste-Marie @ American New Pub House
25: Kenora @ Lake Shore
26: Winnipeg @ The Cavern club
27: Selkirk @ The Merch
28: Régina @ Durty Nelly's
29: Calgary @ Blind Beggar Pub

MAY
02: Kelowna @ Fernando's Pub
03: Vancouver @ Media club
04: Nanaimo @ The Cambie Bar & Grill
05: Port Albany @ TBA
06: Victoria @ Logan's
07: Kamloops @ The grind
08: Kelowna @ Munnin's Post
10: Golden @ Rockwater
12: Edmonton @ The Forge
13: Lethbridge @ Smokehouse Bar n Grill
15: Fort Mcmurray @ Tavern on main
16: Moose Jaw @ TBA
17: Palmer @ Palmer Church
18: Prince albert @ TBA
19: Saskatoon @ The Capitol
20: Red Deer @ The Vat Pub
21: Calgary @ The Palomino
22: Arkola @ Buddy's Pub
23: Arkola @ Buddy's pub
25: Winnipeg @ The Handsome Daughter
26: Thunder bay @ Black Pirates Pub
27: Timmins @ The Working Class

Idioteq Album Premiere Metal-Reggae Fusion NINJASPY 'Spüken' + Canada Tour




L-R - Tim Parent - Bass, Joel Parent - Vocals, Guitar - Adam Parent - Drums

Photo Credit: Taya Fraser


Vancouver's NINJASPY, a trio of blood brothers that have created a metal fusion of hard, heavy, hook-laden music that runs the gamut of reggae, surf and more will be releasing their next full length 'Spüken' due out April 14, 2017. The album is once again produced by GGGarth Richardson (Rage Against the Machine, Red Hot Chili Peppers, Mudvayne, Gallows) and Ben Kaplan (Biffy Clyro, Atreyu, Haste the Day) to follow their 2013 EP / graphic novel 'No Kata' and 2007 debut 'Pi Nature'. The album was crowd funded and helped the band raise $15,000 to record the new full length, which features a culmination of nearly a decade of songs that have been narrowed down to an epic 10 track experience to demonstrate all their downbeats to breakdowns to their weaving of reggae, hardcore, metal and much more.

Before its official release, NINJASPY have teamed up with Idioteq.com for exclusive full stream premiere of the album at the following link: http://www.idioteq.com/ninjaspy-spuken-record-premiere/

Vocalist / guitarist Joel Parent comments:

"Spüken is the musical equivalent of a magician removing his own entrails. The guts just keep coming, like handkerchiefs from a sleeve, and its painful, colourful and cathartic all at once, in the same way that vomiting after hours of nausea is such a relief. The musical ideas that came together in this project span many years and come from many influences. Hearing them all together is a trip. There were a lot of hard times in the years while this record was being written and most, if not all of these songs are tied together by the search for something greater than oneself. Empowerment by going through ones pain, all this is woven into an album that is another spastic stylistic roller coaster not unlike our previous albums, but with smoother blending. From song to song there is a lot of variance, but within songs we have managed to take contrasting genres and combine them in more nuanced ways, with less hard cuts. This album is colourful, and the palette is dark."

'Spüken' will be available as of April 14th on the band's online store, iTunes, CD Baby and Bandcamp.
 

1. Speak (4:43)
2. Shuriken Dance (4:02)
3. Brother Man (4:54)
4. Dead Duck Dock (4:45)
5. Become Nothing (3:18)
6. What! (3:08)
7. Jump Ya Bones! (3:55)
8. Grip The Cage (4:10)
9. Azaria (4:02)
10. Slave Vehemence (5:44)
Album Length: 42:44

In addition to releasing 'Spüken', NINJASPY will be taking their explosive and powerfully unhinged live show on the road for their sixth tour across Canada, which also marks their first cross country tour in six years since promoting their debut album in 2011.

SPÜKEN ALBUM RELEASE CANADA TOUR DATES

April 21 - Nanaimo, BC - Studio 420
April 22 - Victoria, BC - V-Lounge (moved from Logan's Pub)
April 28 - Maple Ridge, BC - The Wolf Bar
April 29 - Kamloops, BC - Dirty Jersey
April 30 - Vernon, BC - The Green (All Ages)
May 10 - Drumheller, AB - Neighbour's Corner Pub
May 11 - Calgary, AB - Dickens
May 12 - Regina, SK - The Exchange
May 13 - Winnipeg, MB - Pyramid
May 14 - Thunder Bay, ON - Black Pirates Pub
May 16 - Ottawa, ON - House of Targ
May 17 - Ajax, ON - Rotilicious
May 18 - St. Catharines, ON - Warehouse
May 19 - Guelph, ON - DSTRCT
May 20 - Orillia, ON - The Geneva
May 21 - Montreal, QC - Piranha Bar
May 22 - Toronto, ON - Sneaky Dees
May 24 - Sudbury, ON - The Asylum
May 26 - Saskatoon, SK - Vangelis
May 27 - Edmonton, AB - The Forge
May 28 - Kelowna, BC - Fernando's
June 24 - Vancouver, BC - Rickshaw Theatre
July 15 - Armstrong, BC - Armstrong Metal Fest w/ Revocation, Aggression, Golers and more - info


Wednesday, April 19, 2017

Myrkur - Mausoleum



Good day waveriders.  A few weeks ago I wrote a review of an EP from a band with the name Iron Magazine.  In that review I described a song as "haunting" due to the fact that it came unbidden into my mind on a regular basis.  Today I'd like to discuss music that is also haunting, but in a completely different manner to what I described before.  Yes, today I'd like to highlight the latest release from Myrkur entitled Mausoleum.

A couple of years ago a friend of mine informed me that I needed to listen to an artist he had just discovered named Myrkur.  This friend of mine was decidedly into black metal.  I therefore believed I had a reasonable idea as to what to this new artist would sound like.  Suffice it to say, I was wrong.  What I expected was standard fare black metal.  What I actually heard was complex music which used black metal's framework and proceeded to add multiple layers of folk music and melodic content on top to create a wonderful, enjoyable new sound to my ears.

Now we come to Mausoleum.  This album shares songs with Myrkur's previous work, but that's where the similarities end.  Instead of promoting harsh metallics and dissonance Mausoleum is an incredibly intimate, ethereal experience.  In a word, this record is haunting.  It is hauntingly beautiful music.  Myrkur's voice is sublime and otherworldly.  Also, although the music is entirely acoustic it doesn't lack for power or impact.  The fact that this is a live recording inside an actual mausoleum (hence the album title) increases my appreciation of this recording immensely.  Every vocal and instrumental element sound flawless.

To sum up Myrkur's Mausoleum is a stunning collection of music that will add aural beauty anywhere it is played.  Ignore the fact that these are originally black metal songs and the lyrical content is surely rather dark.  As long as you stay away from Google Translate waveriders you will be able to blissfully enjoy these phantasmal compositions.  I'm joking of course.  Do whatever you want, just make sure you experience this extraordinary album!

-Penfold


Tuesday, April 18, 2017

POWER TRIP Premieres Video For "Executioner's Tax (Swing Of The Axe)" At Noisey; West Coast Tour Underway + European Tour Looms




[photo by Sarah Churchill]

Texas' POWER TRIP has released their official video for "Executioner's Tax (Swing Of The Axe)" through an exclusive premiere at Noisey. The band continues to tour the planet in support of their Nightmare Logic LP, as they are currently torching the West Coast of North America and will head to Europe in the coming weeks.

POWER TRIP's new video for their hit single "Executioner's Tax (Swing Of The Axe)" takes us front and center, into the eye of what is guaranteed to be a perfect storm time and time again. The footage, captured at a spirited hometown show in Dallas melts with clips of political propaganda which encompass vocalist Riley Gale's lyrics that hone in on the devaluation of human life by those who've gained power through money and politics. The video was directed by Andy Capper (Vice, Noisey) with director of photography Joel Pront, and editor Andrew Betsch.

See POWER TRIP's "Executioner's Tax (Swing Of The Axe)" video at Noisey RIGHT HERE.

Nightmare Logic is out now on Southern Lord; stream the record at Youtube HERE and iTunes HERE and find ordering options at THIS LOCATION.

After a wild, sold out East Coast/Midwest tour, POWER TRIP is currently taking over West Coast this month with Destruction Unit. Highlights include Los Angeles, Portland, Denver, Vancouver, and more just before they head to Europe with Napalm Death and Brujeria. Check below for a full list of dates.

POWER TRIP hit hard last month with their most powerful effort yet; Nightmare Logic. Released to high critical acclaim and anticipation, their sophomore release does not disappoint. With hooks and tightness rivaling greats like Metallica, Pantera, or Pentagram, POWER TRIP punishes fans not only sonically but with pure songwriting skill. Nightmare Logic proves to be one of the year's smartest and most crucial releases to spawn from the metal and punk scenes.

"You don't need to be a metalhead to have a blast with Nightmare Logic... POWER TRIP's fist-pumping choruses, ricocheting grooves, and ample charm are so animated that they leave us with something addictive and, well, fun." - Pitchfork / Best New Music

"...possesses a certain monolithic quality Lemmy would admire: a massive rawness and a sludgy, heavy hopelessness that thrashes with punk immediacy and metal intricacy...it's a track preparing for war." - NPR

"...one of the most highly anticipated records in aggressive music in recent memory..." - The New Yorker

POWER TRIP:
4/25/2017 Amager Bio - Copenhagen, DK w/ Napalm Death, Brujeria
4/26/2017 Pustervik - Gothenburg, SE w/ Napalm Death, Brujeria
4/27/2017 Kraken STHLM - Stockholm, SE w/ Napalm Death, Brujeria
4/28/2017 Roxy - Flensburg, DE w/ Napalm Death, Brujeria
4/29/2017 Flensburg - Magdeburg, DE w/ Napalm Death, Brujeria
4/30/2017 Patronaat - Haarlem, NL w/ Napalm Death, Brujeria
5/01/2017 Underground - Koln, DE w/ Napalm Death, Brujeria
5/02/2017 SO36 - Berlin, DE w/ Napalm Death, Brujeria
5/04/2017 Kwadrat Club - Krakow, PL w/ Napalm Death, Brujeria
5/05/2017 Klub Fléda - Brno, CZ w/ Napalm Death, Brujeria
5/07/2017 Garage - Saarbrücken, DE w/ Napalm Death, Brujeria
5/09/2017 O2 Institute - Birmingham, UK w/ Napalm Death, Brujeria
5/10/2017 Classic Grand - Glasgow, UK w/ Napalm Death, Brujeria
5/11/2017 Rebellion - Manchester, UK w/ Napalm Death, Brujeria
5/12/2017 The Electric Ballroom - London, UK w/ Napalm Death, Brujeria
5/13/2017 Le Glazart - Paris, FR w/ Napalm Death, Brujeria
5/14/2017 Zappa - Antwerpen, BE w/ Napalm Death, Brujeria
5/16/2017 Espace André Malraux - Six Fours Les Plages, FR w/ Napalm Death, Brujeria
5/17/2017 L'Usine - Geneva, CH w/ Napalm Death, Brujeria
5/18/207 Zona Roveri - Bologna, IT w/ Napalm Death, Brujeria
5/19/2017 NCO Club - Karlsruhe, DE w/ Napalm Death, Brujeria
5/20/2017 Backstage - München, DE w/ Napalm Death, Brujeria
5/21/2017 Effenaar - Eindhoven, NL w/ Napalm Death, Brujeria

 

Swedish Sludge/Doom trio Firebreather signs with Suicide Records



Exciting news,


Today we are extremely psyched to announce that Swedish Sludge/Doom trio FIREBREATHER has signed with us at Suicide Records and that we will be releasing their S/T debut album this summer on Vinyl, Cassette, CD and Digital, exact date TBA in the near future.

FIREBREATHER emerged from the ashes of doom-metal heavy-weights Galvano when riff extraordinaire and Orange ambassador Mattias Nööjd decided to start a new band after Galvano being put to rest.

Forming in the spring of 2016 FIREBREATHER have quickly gained attention and notoriety for their distinct heavy sound and songwriting.

Since FIREBREATHERs' beginnings, the band has established a growing grass-roots underground following throughout Europe after only a short tour and taking to the stage with bands such as Zaum (CAN) and finally performing their first hometown show with Boris (JPN) in the late fall of 2016.

Line-up

Mattias Nööjd - Guitar & Vocals

Tommy Hanning - Drums

Kyle Pitcher - Bass

Teaser video

Facebook & Instagram

Stay tuned for more news on this collaboration!

Monday, April 17, 2017

A Ripple Conversation With Brume



SM=Susie McMullan
JPL=Jordan Perkins Lewis
JM=Jamie McCathie

What have been your musical epiphany moments?

SM: in 8th grade growing up sheltered, catholic with very conservative family I discovered Danzig. It was epiphanic.  I was hooked on punk rock from that point on.  My next pivotal point was lunachicks, genitorturers, bad brains, fugazi and the melvins.  Then Wino or Spirit Caravan, Witchcraft, high on fire and Earth. Now Pallbearer,  Yob, Wovenhand, Spelljammer and Lo-Pan.
JPL: John Zorn shook me up early on. I didn't know you could do that kinda stuff with sound. That rabbit hole got real deep for me.
JM: When I was 9 years old, a Guns n Roses live in Paris show came on TV. Mind, blown.

Talk to us about the song-writing process for you. What comes first, the idea? A riff? The lyrics? How does it all fall into place?

SM: Jamie's riff bestows its terror down on us and we obey.  Then I obsess over it and sing melodies or chant or scream animal sounds until it's right. Then add lows with Bass. Then Jordan makes us badass with drums.
JPL: They come to me with ideas and we jam it out until it feels right. Then we refine, refine, refine.

Who has influenced you the most?

SM: Dolly Parton and Danzig
JPL: John Cellelo.
JM: Kirk Windstein, Thom Yorke & Mike Scheidt

Where do you look for continuing inspiration? New ideas, new motivation?

SM: Tribal music especially from Australia gets me going when I'm looking for inspiration while writing a vocal melody. It makes feel wild and barbaric. It's possible that the feeling it gives me is more of the inspiration than the actual melody of chant. Heh. It reminds me of the times we had bonfires by the levy and tried to recreate low rent crash worship shows in Baton Rouge.
JPL: Drum Corps International never fails to impress me.
JM: Really sad folk music. I love this song 'To leave something behind' by Sean Rowe, it's been on constant rotation recently.

We're all a product of our environment. Tell us about the band's hometown and how that reflects in the music?

SM: I'm from Baton Rouge, Louisiana, and grew up listening to ill Whiskey, suplecs, four square, Dixie Witch, Honkey.  The dirty  had been doing slow bluesy metal since the 90s.  It wasn't intentional, it was just how things went down in a town that has blues and jazz blaring at every party or parade.  I think they giggle when they hear the term "doom".  We just called it, Metal.  It wasn't until  I moved to San Francisco until I heard the term "doom" or "sludge".  I suppose we move slower by the Gulf of Mexico than they do here, so what's normal to us is slow to everyone else.
JPL: SF is a magical place. We try to conjure a little magic of our own.
JM: San Francisco is a transplant city. A place full of different people from different places. Brume is a band of different people coming together with different ideas.

Where'd the band name come from?

SM: Jamie's brain. It's slow and foggy and even a bit misty. Haha.
JPL: Europe.

You have one chance, what movie are you going to write the soundtrack for?

SM:  The jerk is the best movie ever.
JPL: Metropolis.

You now write for a music publication (The Ripple Effect?).  You're going to write a 1,000 word essay on one song. Which would it be and why?

SM: Wovenhand song called King David. He delicately removes your preconceived notion of musical genres. It's a little metal and little country, some blues and a touch of space. I'm where that song is at in my life. It's personal.
JPL: Billy The Mountain by Zappa & The Mothers - the 1971 live version from the Pauley Pavilion at UCLA. My dad was at that show.

Come on, share with us a couple of your great, Spinal Tap, rock and roll moments?

JPL: One time I was playing at show at the Roxy in Hollywood with a band called H.O.O.D. and my singer fell and split his head open against the drum riser. He finished the set with blood streaming down his back before going to the hospital to get his scalp stapled together.

Tell us about playing live and the live experience for you and for your fans?

SM:  I love when people are close to me when I play and the lucky second when you get to have a moment with someone. A moment of eye contact that makes you feel not lonely, like you both are feeling the same thing at the same time.
JPL: Shows are a labor of love. I'll keep doing as many as I can.
JM: We are kinda an intimate band. Slow, repetitive and mood driven. if people wanna lose themselves with us we are the band for you. If you wanna party and jump around alot, there are a ton of other great bands out there.

What makes a great song?

SM: A song that make a numb person feel something.
JPL: A hundred terrible songs.
JM: Personally? Gut wrenching melody. Get's me every-time.

Tell us about the first song you ever wrote?

SM:  School of Hard Knox. I have a lot of poetry about the working class, non-elite, you know, the people who actually do shit. I studied engineering and grew up in the air conditioning industry and always thought it was interesting and unfair that the mechanics were a lot smarter than me and my engineering colleagues but the pay-scale favored college graduate engineers.  I've spent years after college trying to know machines and just get my head out of the clouds in general.  There is nothing more attractive than a nerdy gear-head to me.
JPL: It was not good.
JM: It sounded like a Crowbar cover song, it was with a band I started when I was 15 called Softroom.
I was the singer/bass player and was desperately trying to sound 55, overweight and from NOLA.
I was a 15YO, skinny boy from Bristol in England.

What piece of your music are particularly proud of?

SM: The part that gives someone the same feeling we had when we first played it together.
JPL: I'm proud of the new album overall. It was a blast to make.
JM: I'm with Jordan, the new album i'm very proud of. We worked hard to write this record.

Who today, writes great songs? Who just kicks your ass? Why?

SM: Wovenhand, Pallbearer and Lo-Pan
JPL: I'm always intrigued by the stuff on Tzadik & Ipecac. Swans at the Regency was probably the last thing I saw that really blew me away.
JM: All them Witches are absolutely mind blowing. Incredible songs, ridiculously talented and the live show is killer. I love that they give zero shits about having 'a sound'. They just write whatever they want and continue to evolve into this awesome rock band.

Vinyl, CD, or digital? What's your format of choice?

SM: Digital. I'm so tickled to have any song ever at any time.  I like to loose myself in Spotify.  Next is live shows captured through facebook.
JPL: I enjoy the experience of listening to vinyl but I usually stream music for convenience.
JM: Vinyl for art, digital for listening.

Whiskey or beer?  And defend your choice

SM: I love whiskey
JPL: Both and I'll defend them to the death.
JM: Beer, all day drinking.

We, at the Ripple Effect, are constantly looking for new music. What's your home town, and when we get there, what's the best record store to lose ourselves in?

SM: SF, CA, USA. Aquarius  - those guys taught me so much.  The store shut down, but those people still exist. Go find them. I'm sure they have an epic private collection.
JPL: I grew up in L.A. and the last record store I went to is long gone. Now I live in S.F. and the last record store I went to is long gone.

What's next for the band?

SM: We head to Europe for a tour with Gurt, we'll put out another album by end of year, we play Desert Fest, we have an east coast tour with Body Void and lots of fun in the studio to look forward too.
JPL: Margaritas.

Any final comments or thoughts you'd like to share with our readers, the waveriders?

JPL: Check out the new record and come see us live.
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